The audience in New York, where I performed "Synthesist" the first time after 31 years, liked it very much. Posted by Zen Archer at. What a change since "Irrlicht". I was convinced that the music we created, during those studio improvisation sessions, would be very influential in future music.
After these experiences I was not able to continue Rock Music. Selecting Synthesist as our first reissue is more about the connectivity to a new audience than the scarcity fetish for a select few.
Before that I understood myself as a music companion and I was no keyboard player at all. The second side shades that outlook and delves more in the realm of dystopian sci-fi. Walking along there caused mixed feelings for me.
Still, the task was at hand and what immediately settled upon me while recollecting the recording process in West Germany was my intense interaction with the electronic music equipment.
Oneohtrix Point Never's "Trauma " has a dramatic drone encircled by orbiting clusters of static and noise. The second side shades that outlook and delves more in the realm of dystopian sci-fi.
Using electronic equipment was, by accident the choice, because it was the easiest way to get all necessary basic sounds for creating a piece of music. They are kind of environmentally damaging.
Vice versa it produced, via the same cable, a trigger impulse to control the sequencers timing.
They all crackled, caused dropouts and the tuning problem was immense. Emphasis My interpretation of emphasis as power. I was faszinated by echoes. Popohl Vuh produced film music for the German artist legend, film director Werner Herzog.
In the beginning I simply was not able to say weather "Synthesist" was good or bad.
Art It was my first year in Berlin. The title track, with its "Popcorn" bass sequence and overlapping melodies, overwhelms with its simple beauty and naive charm. All I had to carry was a USB stick, containing my drum module settings and a pair of drum sticks" I was used for years to accompany loudest rock music and was not able to cope with such kind of low volume level, without loosing my emotional balance.
Throughout, is a sense of joy, wonder, and playful exploration, even when the music leans dark, as it often does on side two. So unfortunately I was not able to fulfill their expectations and left Munich the next day, terrible frustrated, because I liked their unique music style very much.
I found it boaring and old fashioned. The human response undeniably colors the eight songs of Synthesist and aligns the album with some of the more melodic output of the Berlin School of Electronic Music. Exactly at this point only 50 years ago, numerous films were produced under the most intolerant eyes of the Nazis secretary of promotion and culture Joseph Goebbels.
For the most part these versions are reverent, which gives the record a nice flow for a disc from various artists set. I hope our music had some cleansing effect on these grounds. Most doors were broken. I prefer notebooks and synthesizer plug-ins, in consequence.
Each day my enthusiasm grew. Under tumbled racks lay open film boxes and other relics of wars end and the chaos. Too much transportation space.
The money situation was all the way through very poor. Unfortunately Daniel was an unreliable heroin addict. All knobs and sliders had problems.
I definitely like the analog sound synthesis, but in these days I more and more see analog synthesizer as antiquated relicts of the past that should be presented in museums. Not only because of the music, also because of the psychological disconnectedness of the band.
Check out Synthesist by Harald Grosskopf on Amazon Music. Stream ad-free or purchase CD's and MP3s now on omgmachines2018.com Feb 24, · I found Harald Grosskopf's contacts on the internet, during my researches on the pioneers of electronic music and about the music made in Germany in the '70s, the "krautrock".
We exchanged a few emails and messages and when I invited him to do this interview for my blog, Harald was very kind and answered promptly!Author: Astronauta Pinguim.
Find a Harald Grosskopf - Synthesist first pressing or reissue. Complete your Harald Grosskopf collection. Shop Vinyl and CDs. Mar 02, · In summerHarald Grosskopf-- a drummer who lived in Berlin and had appeared on recordings by Klaus Schulze, Ash Ra Tempel, Cosmic Jokers, and others-- holed up in the apartment of a friend in Krefeld, Germany, to record his debut solo omgmachines2018.com: Cun Cun Revival.
Until now Harald Grosskopf produced six solo albums, the last, – SYNTHESIST - was released in October Harald can be heard on more than CD’s/LP’s, of other artists. Harald can be heard on more than CD’s/LP’s, of other artists. harald grosskopf - synthesist & v/a - re-synthesist New York’s RVNG Intl.
label will reissue Harald Grosskopf’s Synthesist, a cult classic of German electronic music, on February 16, Synthesist is the debut solo album by Harald Grosskopf, the enigmatic percussionist behind Ash Ra Tempel, Klaus Schulze, and Cosmic Jokers.Harald grosskopf synthesist blog